
“Murder has a sound all of its own.”
While recording sound effects for a slasher flick, Jack Terry stumbles upon a real-life horror: a car careening off a bridge and into a river. Jack jumps into the water and fishes out Sally from the car, but the other passenger is already dead — a governor intending to run for president. As Jack does some investigating of his tapes, and starts a perilous romance with Sally, he enters a tangled web of conspiracy that might leave him dead.
This is a masterclass in paranoid tension, drenched in a cynical neo-noir aesthetic. Its propulsive mystery unravels with meticulous sound design, pulling you into a world of political corruption and moral ambiguity. It feels like a relentless, melancholic descent into a dangerous search for truth.












