
“Two get on. One gets off.”
A successful black businessman, haunted by his crumbling marriage and identity crisis, is drawn into a psychological game of cat and mouse with a mysterious white woman he encounters on a New York subway.
A suffocating, dialogue-heavy descent into paranoia and racial tension. This feels like a fever dream, a tense, claustrophobic game of cat and mouse where the subway car becomes a pressure cooker for simmering anxieties and psychosexual dread.












