
For Anna Maria, paradise lies with Jesus, and she devotes her time to door-to-door missionary work. One day after years of absence, her husband, an Egyptian Muslim confined to a wheelchair, comes home—and soon prayers are replaced by fighting.
This film feels like a stark, unflinching examination of faith tested by worldly desires. Its austere visuals and deliberate pace create an unsettling, almost spiritual, unease, forcing contemplation on devotion and temptation.










