
“There is no evidence. There are no witnesses. But for one, there is no doubt.”
In 1964, a Catholic school nun questions a priest's ambiguous relationship with a troubled young student, suspecting him of abuse.
This film is a suffocating, morally ambiguous crucible, where every glance and word carries immense weight. It's a masterclass in psychological tension, forcing viewers to grapple with uncomfortable truths and the corrosive nature of suspicion. The atmosphere is heavy, the performances electrifying, leaving you questioning long after the credits roll.













