
“Nothing is more mysterious than the blood”
Patagonia, 1960. A German physician meets an Argentinian family and follows them on the long desert road to Bariloche where Eva, Enzo and their three children are going to open a lodging house by the Nahuel Huapi lake. Unaware of his true identity, they accept him as their first guest.
A chillingly quiet, unsettling drama where a seemingly idyllic Patagonian setting masks a deep, historical dread. The film slowly unspools a disturbing sense of unease, focusing on the psychological tension and the quiet horror of deception.















