
Akerman films her mother Natalia, an elderly woman of Polish origin, in her Brussels apartment. For two hours, we will see them eating, chatting and sharing memories, sometimes accompanied by Sylvaine, Chantal's sister. Also, and to show how small the world has become, Chantal remains in contact with her mother at other times of the year via Skype from lands as far away from Belgium as Oklahoma or New York.
A deeply personal and quiet film that meditates on life, death, and the ways we connect. It feels like a gentle, lingering gaze into the everyday, imbued with a profound sense of love and loss.














