
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
A passionate, intellectual deep-dive into a revolutionary cinematic movement. It feels like an urgent, reflective essay, blending archival footage and insightful commentary to explore art, politics, and cultural identity.










