
The second film in Terence Davies's autobiographical series (along with "Trilogy" and "The Long Day Closes") is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies's own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
A deeply personal and evocative portrait of a fractured family. It feels like flipping through a faded photo album, each image imbued with unspoken longing and the quiet weight of memory. A tender, yet often somber, exploration of love and loss.














