
In 1885, Africa is a succulent cake destined to be wildly divided and everyone wants a piece. A disturbed European king, a Pygmy working in a luxury hotel, a successful but lonely businessman, an enslaved porter, a young army deserter, a ghostly clarinetist. Some benefit from colonialism and greed. Others suffer racism and violence.
A darkly whimsical and surreal stop-motion allegory. It skewers colonialism with biting satire, presenting a grotesque feast of greed and exploitation. The ragdoll aesthetic contrasts sharply with the grim themes, creating a uniquely unsettling, yet darkly funny, experience.






