
“Welcome aboard”
Buenos Aires, Argentina. A luxurious van is parked on the sidewalk. A man enters with the purpose of stealing whatever he can find, but when he wants to leave, he cannot. The doors do not open, the control panel does not respond: the van has become an armored box and he is trapped like a mouse.
A slick, modern trap becomes a suffocating cage. This is a stark, visceral thriller about being cornered, where the environment itself becomes the antagonist. It’s a tense, claustrophobic descent into desperation.










