
Toru recalls his life in the 1960s, when his friend Kizuki killed himself and he grew close to Naoko, Kizuki's girlfriend, and another woman, the outgoing, lively Midori.
A deeply melancholic and introspective journey through lost love and lingering grief. The film feels like a hazy, bittersweet memory, steeped in the quiet beauty of 1960s Japan and the ache of young adulthood.

















