
Gallery director Stanislas bolsters the development of modern art with his collection of surprising works. His newest acquisition is a sculpture by Gilbert, whose wife Josée is captivated by Stanislas. But unbeknownst to her, Stanislas is amassing photographs of a very perverse, disturbed nature.
A slow, simmering exploration of desire and artifice. It feels like a dream, both beautiful and disturbing, where unspoken tensions and hidden obsessions linger beneath a sophisticated surface.
















