
In 1971, due to the world premiere of Death in Venice, Italian director Lucino Visconti proclaimed his Tadzio as the world’s most beautiful boy. A shadow that today, 50 years later, weighs Björn Andrésen’s life.
A hauntingly beautiful, yet melancholic exploration of a life defined by early fame. It's a wistful, introspective look at the lasting impact of being labeled 'the most beautiful boy in the world,' told through intimate interviews and evocative archival footage.














