
“Maybe Tomorrow. Maybe Never. Maybe.”
While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a "model shop", an establishment that rents out beautiful pin-up models to photographers. George spends his last twelve dollars to photograph Lola, and discovers that she is as unhappy as he.
A hazy, dreamlike drift through 1960s Los Angeles. It captures a profound sense of urban loneliness and quiet desperation, with characters searching for connection in a city that feels both vast and isolating. The mood is introspective and melancholic.














