
“Kill the messenger.”
Two Americans wake up in Dakar, Senegal, with bombs strapped to their chests ticking down from ten hours. Guided by a threatening voice on the phone, these men complete a series of violent tasks that spark widespread protest against Western influence in the city.
A relentless, pulse-pounding descent into urban chaos, this film feels like a ticking time bomb itself. It's a visceral, high-stakes ride, drenched in a palpable sense of dread and desperate urgency. The atmosphere is thick with moral ambiguity and the raw energy of a city on the brink.










