
Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed.
This is a deeply unsettling slow-burn, steeped in an atmosphere of creeping dread and moral ambiguity. It explores the fragile line between innocence and corruption, leaving a lingering sense of unease. The naturalistic style amplifies its somber, psychological weight.












